2 Poems by Rose Auslander

Drunk Girls 

By Rose Auslander

 

Driving blind in silhouette,

Denise and me,

flooring my dad’s old pick-up,

85 mph moonshine shivers —

trying not to follow

the tiny hula lady’s hips circling the windshield,

we pass plows sleeping in the tall grasses

around the old battleship grounded by the side of the road,

right before the sign that says:

“You have nothing else to do: Drink coffee!”

Which brings on the thirst again,

so we stop to sneak a bourbon by the car wash

open 24 hours.

A siren, and there it is, y’all:

Red, white, and blue

popping by — fourth of July

on wheels,

that dirty feeling

getting away with it

safe to the narrow bridge,

white, rusted

by the light of two

orange dinosaur cranes,

man toys

forgotten at the end of a shift.

 

 

Farmtown Dance

By Rose Auslander

 

You know

how the lamps still sway overhead

from those do si do’s at harvest time,

the whole town dancing – ten?

No thirty years ago.  You and I shy in matching jeans,

by a row of swaying grandmas, in matching hairnets.

Your dad, his cowboy belt holding up his gut,

twirling your mom, reaching high to clear her beehive do.

Dancing hard enough to stomp holes in the floor,

but Lord, Lord, still lighting up that room.

 

Forget

the corn growing up past the stairs and

falling even farther down, lower than those

auctions come and gone, gone

your pet pigs, your daddy’s tractor, then his land,

even your sister’s dresser with the big, tall mirror

where she always looked so much prettier than me.

And you?  Never did figure where you and your folks went to.

 

See

the old lamps still sway, even in my ninth floor office,

and the old families still dance up here on my wall,

the bowls of Jello salad jiggling impossible colors

into cracks in the ceiling, the violin praying,

the banjo straying up and down the curtains,

warping the walls, and rustling up a dance or two.

And me still back there in the corner, shuffling my feet,

wishing folks could act just a little dignified.

 

Black and white

in the frame, a heaping helping

of uneaten hospitality:  potato salad, corn, ham.

Walk on in, load up a plate, and

cut in for a dance with a grandma or two.

Come on now – before the city lights go on.

We’ll raise our arms, let out a holler,

turn our faces up toward that old, yellowed light, and

dance our way back.

Lord, Lord, how we’ll twirl together.

 

 

Rose Auslander’s six-word memoir is “Mathematician’s daughter — has trouble counting.”  She is Poetry Editor of Folded Word Press http://www.foldedword.com/folded_home.html and stays away from math.  She has received a Pushcart nomination from the good folks at Literary Lunchroom and a Best of the Net nomination from Form Reborn — and she is a Regular Contributor to Referential Magazine.  http://referentialmagazine.com/contributors/a-c/a/rose-auslander/  Look for “New Again” in the Dead Mule http://tinyurl.com/7e4zhws ,“From 2 Wall Street” in cur-ren-cy http://www.currencylit.com/rose-auslander , and “Des Moines” in Right Hand Pointing :  http://tinyurl.com/8ywsgwr.

Poetry – Drive-In 79 by Tim Peeler

Drive-In 79

by Tim Peeler

 

He dreamed that it was finished—

That it was all done, the speaker poles

Extracted from the parking lot,

The concrete concession stand

That seemed as permanent

As a nuclear fallout shelter,

Bulldozed and dumptruck-ed away,

The spike strip crowbar-ed

From the tarandgravel driveway,

The gigantic screen, so cosmically

Blank, dull from a decade of weather,

Busted to splintered plywood shards,

Everything gone, but the projector

And the mechanical cash register

Which he would keep in his attic

Till after his death when they were sent

To a museum that placed them

Carelessly, in a room for less

Than significant artifacts.

He dreamed that it was finished,

And he woke in a sweat to save it.

 

Tim Peeler is an educator from Hickory, NC.  His most recent poetry books are Waiting for Charlie Brown, a collaboration with performance poet Ted Pope from Rank Stranger Press and Checking Out from Hub City Press, a finalist for the 2011 SIBA poetry award.

Poetry – Cold Pockets in the Farmhouse of Fall by Robert S. King

Cold Pockets in the Farmhouse of Fall

by Robert S. King

The widow’s empty chair still rocks at the slightest touch
as if still to tend to the remains of her estate.
Her daughter wears the widow’s famous frown,
inherits the old farmhouse and all its splinters,
the terrier the widow loved more than folks
who shivered for years on the floor at her feet.

Virginia gets the vacant hen house and cockeyed barn,
the snaggletooth mule’s grave, the cold, rusty horseshoes
and a pasture gone to seed that no one will plant.
This house is now hers to mend. Cold water runs
in the kitchen, but the warm is long gone.

Virginia waits for winter to kill everything off, for
a draft in this house where she grew like an icicle
to chase her hands into her pockets. She watches for
windy trees to reveal the ghost towns of bird and squirrel nests,
for leaves that never touched to freeze together in snow.

Wind whistles and moans in the dry well. As if to muffle
her mother’s voice, Virginia deliberately stuffs its mouth
with newspapers, table scraps, the cold, broken glass.
Down the well, she dumps the widow’s things: King James version,
love letters from WWI, handkerchiefs, the photographs of strangers,
thick-soled shoes, and polka-dot dresses.

Whenever the wind howls, the old dog barks.
Blind now, he barely sees the full moon sitting in front of his nose.
Does he think it’s the widow’s face still shining on him?
Is it age or the coming chill that makes him tremble?
Is that ice beginning to crack the mirror,
etching new lines on Virginia’s face?

Shivering at her feet, the terrier begs for a bone.
Her own daughter’s teeth chatter. A clear glass grows on limbs.
Soil freezes on buried bones. The lockjaw of winter hardens,
a permafrost in this house where spring returns in black and white
and never thaws again.

 

Robert S. King lives in the Blue Ridge Mountains of Georgia. His poems have appeared in The Kenyon Review, Southern Poetry Review, Lullwater Review, Midwest Quarterly, Chariton Review, Main Street Rag, and many others. He has published three chapbooks (When Stars Fall Down as Snow, Garland Press 1976; Dream of the Electric Eel, Wolfsong Publications 1982; and The Traveller’s Tale, Whistle Press 1998). His full-length collections are The Hunted River and The Gravedigger’s Roots, both from Shared Roads Press, 2009. He is director of FutureCycle Press, www.futurecycle.org.

The Ministry – Non-Fiction by Niles Reddick

The Ministry

By Niles Reddick

When we got the call that my wife’s grandmother had passed away at ninety-two, we weren’t really surprised because once one gets into her nineties there’s only so much time left. Of course, in our twenty years of marriage, we had been told each year by my wife’s mother that we should come visit because “this is probably her last year.” Fortunately, her grandmother lived relatively well until a sudden internal bleed took her quickly, though we were unclear if she died on Sunday or Monday, not that it really mattered. What we needed to know for planning purposes was when the visitation and funeral were to be held, so we could rearrange life: work schedules, church, piano lessons for our daughter, taekwondo for both children.

Though we hadn’t seen her often through the years given that she lived several hours distance from us, my wife loved her grandmother, and I always thought highly of her as well. She was always positive to us and wrote lengthy messages in cards about how proud she was of us, of our children, of our lives.  Her script was in cursive, a form of writing no longer taught in schools, and seemed to indicate serious tremors in her hand.  I imagined it would take her hours to get a card out to one of her children, grandchildren, great-grandchildren, nearly forty all combined.  She often included Bible verses, too, an idea she had given a great deal of thought and what she imagined might be fitting based on what she knew of the family member. That was her ministry. My guess is that she sent hundreds of cards a year, helping a struggling postal service. Given that her generation is dying off, and there continues to be an increase in web communication, I expect the postal service will suffer a tremendous blow in the near future.

Normally, I don’t even answer the phone anymore, even if it’s her family members or my own. I think after being on the phone at work so much, I’ve found it to be an annoyance in my life I can do without.  I have a cell phone for emergencies and people get mad because I don’t turn it on, nor do I have voicemail set-up on it.  My wife, though, had taken several calls from family members and was reporting to me details one morning over coffee and said something matter-of-factly that struck me as odd: her cousin Jack was bringing the grandmother in a van.

“What the hell did you say?” I asked.

“What do you mean?” she responded.

“Did you just say your cousin was hauling your grandmother to Georgia in the back of a van?”

“I think that’s what someone said,” she said.

“Don’t you find that odd?”

“Well, I guess so. I really didn’t think about it.”

“I know they live in Tennessee and all, but I don’t think you can just pick up a dead person and transport them out of state.  You can bet I’ll find out.”

At the visitation, I was itching to find a way to get to Jack and ask, particularly since we’d only met once through the years and I didn’t even know him. He was outside smoking and I cornered him and said, “I appreciate all you had to do.”

“Man, you wouldn’t believe it,” he laughed.  “I didn’t mind hauling her in the back of the van. You know I did it for my uncle and my grandpa, too, but I didn’t expect all this.”

I didn’t know he had hauled an uncle and his grandfather, too. “What do you mean?” I asked.

“Oh, you didn’t hear? I picked up the box at the funeral home and signed papers.”

“A box?”

“Yeah, cardboard. Probably charged us for that, too.”

I was already shocked, but the next piece increased the level.

“I got to somewhere in North Georgia when Mama called and said, ‘Jack, where are you? Have you left yet?’ I told her, ‘Yeah, mama, I’m already in North Georgia,’ and she said, ‘Damn, we forgot to get her clothes on and she’s in the box naked.’ I said, “Lord, Mama, what you want me to do about it? I ain’t turning around and driving four hours back to Knoxville.’  She said, ‘Just go buy her a nice pink dress when you get down there. We got her a pink casket.’ Man, was I floored. I’ve got my grandma in the back of my van and she’s naked.”

I smiled. “Did she sell Mary Kay?”

“I don’t think so,” he said. “She never wore much make-up.  Ain’t that crazy, though? She was in there naked. I never seen her naked and weren’t about to go and look either, but it just freaked me out. I smoked a little before getting back on the road just to keep me even.”

“Wow,” I said. “That is some story.” I wondered how odd it would have been if his marijuana- induced driving would have caused him to be pulled over by the Georgia State Patrol and had to endure a search.

“I got to the funeral home in Thomasville right after they closed, and one man was getting in his car, and I eased the van in and blocked him, got out, and told him, ‘Hey man, I got my naked grandma back here in the box, and you ain’t going nowhere till you get her out of my van.’”

“Well, at least someone was still there.”

At that point, another relative came up and started talking to Jack, and I moved back inside to visit more.  The rest of the visitation went well, people hugging and telling stories. One of my wife’s aunts hit on me and another aunt slapped her fifth husband at the funeral because he told her to calm down. Other than that, the service was fairly uneventful and went smoothly.  When we arrived back home, I checked the mail and my heart skipped a beat when underneath the weekly shopper, credit card junk mail, and business flyers lay a card addressed to my wife from her grandmother, apparently mailed the day before she died.  She waited a few days to open it, and it was the same sweet grandmother, praising us, ministering to us, and offering scripture on the eve of her own departure.

Hooch Plan for Buster – Poetry by Amy Susan Wilson

Hooch Plan for Buster

 

Standin’ under the metal carport

I tell Sissy a big fat whopper:

He’s gonna quit for good

I know he will

This time.

You lockin’ Jim Bean

The trunk of your Escort

Dumpin’ it  the Carl’s Junior

Dumpster 2 a.m.,

Slappin’ GPS to his cell

Now  knowin’ if he’s at Redball

Stockin’ up

Or gettin’ liquored up

Hot Rods Bar.

            Ole Buster

            Who cares if he thinks

            You’re all up in his business?

            You’re savin’ his ass

            Sissy-Gal.

 

What I don’t say:

Gonna be easier to teach a pig to sing

            Than to get Buster off the hooch.

 

My grown up baby Sis half-grins,

Twirls her yellow hair

With thumb ‘n index finger

Stares at her knees

Almost covered

With the jagged hem

Of my old pink sundress,

Ragu stain

Bodice part.

Buster in the house

Watchin’ The Wheel

Even  though Vanna

Don’t got no tits,

Bubba says

On more

Than one occasion.

 

Last Fourth,

Buster shovelin’ a handful of frogs

Into a shoebox

Black cats

Full lit

Frog guts explodin’ the humid July air.

 

Tereasa wants to know:

Do I remember Titan the Singin’ Pig?

 

Titan the Tenor

Snortin’ “My Country ‘Tis of Thee”

Pott. County Fair, ’03.

The owner

Emmet Lee

Retired Vo-Ag teacher

Tecumseh High

Gettin’ on Danny Lee

AM 104,

Regis & Kathy Lee.

Me ‘n Tereasa

Scarfin’ cotton candy

Til we barfed.

Ole Titan

Sing-snortin’

One patriotic song

After the other.

Hands  clasped

Over  hearts

That damned 700 pound pig

Snortin’ “Pledge of Allegiance!”

 

All breathless

Tereasa shares,

            If Jesus The Lord’s Son

Can make a pig sing

            Then The Lord Jesus

Can make a man

            Not hooch no more;

            It’s about what Jesus

            Wants to do:

            Give me a miracle

            Or not.

           

Buster bangs the screen

Porch door open

Lumbers to carport

Diet Pepsi in hand.

 

Buster gives me a hug

Tereasa sayin’ they hug

In that AA club

Ya know that group

That meets on Kickapoo Street,

Old outta business

Taco Tico building;

One of the guys

Getting’ Buster

A weldin’ spot

Tinker Air Force Base

Sometime

Next month.

How ya doin’ Buster?

            Gonna stay home this Fourth?

Buster drapes his arm over my shoulder

I’m only smellin’ Dial soap, Mountian Meadow

Some Cherry Pepsi.

His driver’s license on restriction;

Breathalyzer parked on the ignition.

Ya oughta stay for steak

Grill all fired up

‘N don’t worry about ole Buster

I’m just fine, Sunshine,

‘N this time

He says it

Like he means it.

Waiting in Line at the Pott. County Wal-Mart – Poetry by Amy Susan Wilson

Amy Susan is one of our coolest success stories here in Dirtville. Since her first story was published her last year she’s had a shit-ton of stuff published online and in paper. And I found her first! Woo-hoo! We’re damn glad to have her back.

Waiting in Line at the Pott. County Wal-Mart

 

This dude runs some Morning Star corn dogs

Down the conveyer,

There goes four Silk Soy Strawberry yogurts

But this guy, he’s no fruit

No Sir

Tan biceps that are big

But not too big

Cute jogger’s butt

Framed in Levis

He stands about 6’3–

Oh, here goes some organic blueberries

Wow, I am like marrying you

If you’d ever get off your phone

So I could say,

Blueberries, isn’t it nice they’re in season?

 

That’s what I ‘d say cuz I can’t think

Of anything better

How pathetic.

Wait, he’s goin’ ninety an hour

On his cell:

So fight the cocks anyway

Just  fight’em ‘n place five, C.J.

 

What? He’s yakin’ about birds? Fighter birds?

How can you buy soy ‘n fight birds?

You know they attach razor blades to their ankles;

Even Kris Steele, A Republican, voted against cock-fightin’.

 

Mmm, second thought,

Mister those Levi’s

just hang out on your bony ass

‘n your nose pug-like,

A girl nose

No a Michael Jackson nose.

Lord, now I have to get a divorce

Cuz I married you

When Lynelle  here rang up

Teriyaki tofu, some three olive hummus–

I honeymooned with you at a green resort

In Tucson

As you sacked

With cloth reusable, recycled  bags

You brought from home.

 

Lord, I can’t help

But linger at Coin Star

As you drain the change

From your hemp wallet—

I thought you were tan from jogging

With a big black rescue dog

 

The kind no one wants to adopt

But no, I find out you’re tan from

Raising rooster bulls to cock fight.

 

Gosh dang, cock fighting.

Murdering the Lord’s creatures.

Are you the one

To attach the razors?

Or does your buddy C.J.

Do your dirty work?

 

How do I find men like you?

 

Now you’re climbin’ into a hybrid Escape,

A bumper sticker: “Support the N.R.A.”

Oh shit!

I need an annulment

And fast.

 

You catch my eye and grin.

Listen this three minute marriage

It’s over

I’m glad to be single again

And whew,

Start my new life over

Totally without you.

 

Amy Wilson has recently published in Southern Women’s Review, Red River Review, Columbia: A Magazine of Poetry  & Prose, Crosstimbers: A Journal of the Humanities, The Red Dirt Review, Cyber Soleil Journal, and in other similar journals. Her poetry chapbook, Honk If You Love Billy Ray: Poems from Pottawatomie County, is forthcoming from Pudding House Publications.  Amy holds an MFA from Columbia University. She lives and writes in her hometown of Shawnee, Oklahoma. She has a day job that consumes sixty hours of week , and her career has nothing to do with writing. She writes anyway.

Heirlooms – Poetry by Scott Owens

Heirlooms

Antique even before they were old,
white paint always flaking,
front porch cluttered with what
made no sense to keep,
everything weathered,
each one bore a man’s name,
first or last, Norman’s or Crook’s,
Troy or Todd. Time was
you were never too far from one,
any place the fields stopped to let
numbered roads cross one another.
Inside they were all the same,
plywood counter, half-empty
shelves with just enough to sustain,
circle of old men around
a pot-bellied stove, smoking
Winston’s, sucking on peanuts.
We’d go in for a pack of nabs
and bottled cokes, maybe a bit of news
or weather, mostly just to be
in a place where things stood still,
where minutes turned to hours,
and everything old was new again

Let Us Suppose – Poetry by Anthony S. Abbott

LET US SUPPOSE

 

that a man goes into a bookstore

and buys a volume of poems

for a beloved friend. And let us

 

suppose also that a woman

goes into a bookstore and buys

a volume of poetry for a beloved friend.

 

This is, indeed a lovely supposition,

is it not? And let us call the man A

and the woman B to be perfectly clear

 

and, dear reader, you may have leaped

to the supposition that A is buying

the book for B and B the book for A.

 

Silly reader. How naively romantic.

How blissfully naïve. You are quite

wrong. Because, you see, A is buying

 

the book for C and B is buying

the book for D. You see, A loves C

and B loves D, but C and D

 

do not love A and B, respectively,

in return. No secretly, unknown

to all except me, the writer,

 

C and D love each other, and C

will give the book she received

from A to D, and D will give

 

the book he received from B

to C, and when A and B

at some point inquire of C and D

 

how they liked the poems

which they had received so

graciously from A and B

 

they will be embarrassed

because the poems they have

read were in fact the wrong poems

 

and A and B, hearing about these

strange poems, will be puzzled

and will begin to wonder whether

 

or not their memories are wrong

and they will think, perhaps, that

they did indeed give C and D

 

the books which C and D now possess,

and later C and D will sit together

mooning over the poems they have

 

received from one another, relieved

that A and B now seems satisfied

that their gifts were deeply appreciated.

The Computer Takes Charge – Poetry by Anthony S. Abbott

THE COMPUTER TAKES CHARGE

 

                                    He knew it would one day come to this—

the computers taking over as they did

in the old science fiction movies, editing

his punctuation, changing lower case

to capitals, and suggesting even new words.

 

One day the computer overreached. Now

it was war. He had a signed a student letter

Dr. A, short for Dr. Abbott, informal, friendly—

but the computer had insisted he change it

to “drab.” “Drab” indeed. He was not drab,

 

not in the least. Some of the computer’s

ideas were passable, even funny. Calling his

nephew Stu “stud.” Or his poet friend Valentina

Gnup “gnu” or even “gun.” His favorite was

“grandpa renting” which the computer derived

from “grandparenting.”  Yes, the grandchildren

did, on some level, rent their grandpa, and to suggest

his grandpa name, Babbo, be changed to “baboon”

was only reasonable from a computer point of view.

But to call his dog “Junie” a “Junkie” was simply

 

an insult as was the idea that Frederick Buechner

Was a butcher. Butcher indeed, Mr. Computer,

It is you who butchers the English language,

Putting a turban on my friend Turhan’s head

And reducing Montaigne to a montage.

 

Ah well, you are not so smart after all, you

With your oh so clever ideas like reducing

St. Louis to “stylus” or MWF to MIFF or MUFF.

But I must admit that calling Professor Emily

Seelbinder “spellbinder” shows true imagination.

 

So see if you can do better than “drab.”

Wabbit – Poetry by Anthony S. Abbott

WABBIT

 

                                    The old man stands at the side of the road.

“Bunny wabbit,” he whispers to himself

as he watches the furry figure frozen

in fear. The rabbit believes himself invisible.

.

So does the old man. He notes the wide eyes

and the lovely long pointed ears. The rabbit

moves first. “Look at you!” says the man

 

in utter delight. “Look at you!” he  says

again. At home he speaks to his dog

in baby talk, which the dog appears

to understand. Is he senile, this silly

old man, in overalls and work shirt

or does he just miss something that is gone?